Exhibitions

Exhibitions in alphabetical order

alternate landscapes

2017, For Home Forty Five Ten, Dallas, TX Excerpts from a Paper City interview with Natalie Gempel, October 2017 What ...

beaker, bottle, box 燒杯瓶子盒子

2021, 青青藝廊 Chin Chin Gallery, 臺南 Táinán, 台灣 Táiwān beaker, bottle, box 燒杯瓶子盒子 offers a tripartite disruption of ...

Belly Button 肚臍

2021, Cloud Forest Gallery, 台北Táiběi , 台灣Táiwān Belly Button 肚臍 indicates the relationship of the pot to the body in ...

Biennial Invitational, Museum of Fine Arts, San Angelo

With Bonnie & Linda Lynch. The exhibition of four series is inspired by the once-in-a-millennium exhibition of paintings & drawings ...

braceros

braceros aligns three principal axes of inspiration: (1) the shadow, especially the abyss in the center of much of the ...

Business, Cleverly Disguised as Pleasure

Business, Cleverly Disguised as Pleasure is four series gathered around Jheronimus Bosch, Marguerite Yourcenar, & Marcel Proust. The presentation of ...

Ça des blocs à plein cube

Avec Brigitte Long. Il s'agit du rencontre du cercle & du carré, & ce qui se passe sur le chemin ...

carrés encadrés

Il s'agit d'un carrelage en terre vernissée, décoré au clou et au jaspé typique de la région mais gonflé des ...

Coven-21 不期而癒2021

2021, 蕭壠文化園區 Siāo-Lǒng Cultural Park, 佳里 Jiālǐ, 台灣 Táiwān In Coven-21 不期而癒2021, the drawings move out of beaker, bottle, box ...

Danielle Prijikorski & Brian Molanphy

A Brown Foundation Fellowship at the Maison Dora Maar, Ménerbes, & the cooperation of Aptachrome, Apt, made possible the production ...

Edge

With Merrie Wright. pousse follows encapsulations that showed tiles emerging from the wall to make a more explicit 3D presence ...

encapsulations

“Simultaneously embracing as well as thwarting expectations of traditional ceramics, in Molanphy's work encapsulations he explores the themes of accumulation, ...

In Living Black & White

Robert Nichols Gallery presented cups & buckets made in Sèvres & Santa Fe. The bone china of the National Manufactory ...

L’amour, la mort

Bone chinas produced at the National Manufactory of Sèvres when grouped together make a procession, sometimes austere like a marble ...

lǎo měi chá 老美茶

lǎo měi chá 老美茶 2023, 純Object, Taipei, Taiwan lǎo měi chá 老美茶 is an American take on teaware flowing from ...

les fontaines

Il s'agit des fonts, des fontaines, ou des bénitiers. Les formes de base sont les formes géométriques les plus simples: ...

Let Them Be Left

2023, Kimbell Art Museum, Fort Worth, TX • Let Them Be Left, exhibited in The Artist’s Eye, draws on artworks ...

matière grasse contre matière grise

Robert Nichols Gallery presented 34 basins designed specifically for the gallery. Divided between adjoining walls, two groups of pots opposing ...

Nothing Definite But Definitely Something

2021, 藝象空間 Art Space, Tainan National University of the Arts, Tainan, Taiwan Sometimes I like the frames more than the ...

Provisional Measures 臨時措施, 2026, Space One Gallery, University of Taipei, Taipei, Taiwan • 當自由不再以自身為正當理由，而是意識到自身俱有任意性和暴力性時，道德就因此開始。—埃馬紐埃爾·列維納斯《臨時措施》是藝術家在雲森陶陶工作室駐留期間創作的36 件陶瓷作品，後來於台北市立大學展示中心展出。這些作品以常見的淚滴狀花瓣為原型，懸掛於鋁桿之上。小巧的尺寸令人聯想到芒果等長莖圓錐花序上的果實和花朵；而大尺寸則指向人類介入世界的結構，例如建築。儘管鋁材曾在多個展覽中出現，但自《圓孔方釘》（2010）以來，它並未扮演如此重要的角色。與《手鐲》（2014、2015）類似，這些陶瓷作品懸浮於金屬絲之上。與《筒倉》（2015、2018）類似，這些陶瓷作品被掛在鉤子上，供觀眾取閱。克里斯蒂安·波爾坦斯基、西川裕子和馬克·迪·蘇維羅的懸垂陰影藝術作品對本系列作品產生了影響。保羅·克利曾說，繪畫就是一條散步的線條。因此可以說，陶瓷產業就像一架飛翔的飛機。 Morality begins when ...

Brian Molanphy